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21 is the eagerly awaited sophomore album from British singer-songwriter Adele. It’s the follow up to Adele’s critically acclaimed, Grammy award winning debut album 19 (both named after her age at the time the songs were written). Recorded in Malibu and London, 21 offered Adele the opportunity to work with such luminary producers and songwriters as Rick Rubin, Paul Epworth, Ryan Tedder, Dan Wilson and Fraser T. Smith, as well as continuing to work with Francis “Eg” White and Jim Abbiss.

This new collection of songs showcases the growth of this incredible artist, who at the very young age of twenty two, exhibits the poise of a seasoned veteran. Adele’s music takes some new direction while staying true to her signature style. “I discovered lots of artists I'd never heard of, particularly Wanda Jackson, Allison Krauss, Yvonne Fair, Andrew Bird, Neko Case, Lady Antebellum and Steel Drivers who I fell in love with. Then I delved in to more from artists I've loved forever - Mary J. Blige, Kanye West, Elbow, Mos Def, Alanis Morissette, Tom Waits and Sinead O'Connor. There's something in every single one of these artists that have really really inspired 21.”

2011 holiday release from the Grammy-winning vocalist. Christmas, produced by David Foster, Bob Rock and Humberto Gatica, was recorded primarily at Capitol Recording Studios in Hollywood and The Warehouse Studios in Vancouver. The album includes guest performances by Shania Twain on "White Christmas" and The Puppini Sisters on "Jingle Bells." Bubl‚ also put his unique take on such classics as "Silent Night," "Have Yourself A Merry Little Christmas," "It's Beginning To Look A Lot Like Christmas" and "Santa Claus Is Coming To Town." In addition, a Bubl‚ original "Cold December Night" is included on Christmas.

Reviewing The Black Keys 2010 Top Ten breakthrough album Brothers, Rolling Stone called the duo a two-man combo with a big-band mind. That description seems downright prophetic now. With the hard-rocking El Camino, The Black Keys fourth Nonesuch disc, guitarist-singer Dan Auerbach and drummer Patrick Carney conjure up an exhilarating, stadium-sized sound in collaboration with producer and friend Danger Mouse. El Camino boasts a no-nonsense brilliance: The pace is fast, the mood is upbeat, the choruses unfailingly addictive made for shouting along, preferably in a large, sweaty crowd.
A band already at the top of its game has gotten even better. And The Black Keys have done pretty damn well so far this year, with three 2011 Grammy awards for Brothers under their belt, an MTV Video Music Award for Tighten Up, more than 850,000 copies of Brothers sold in the U.S., and upwards of a million units worldwide, plus innumerable licensing placements in film, TV, and commercials. El Camino features one stand-out track after another, such as first single Lonely Boy, Gold on the Ceiling, and the surprising, acoustic-guitar-driven, tempo-shifting Little Black Submarines. .

This record is more straight ahead rock and roll raw, driving, and back to basics, says Auerbach. As Carney has put it, The Black Keys respect the past while being in the present, and that formula has made them sound like nothing less than the future of rock and roll. While the largely self-produced Brothers, recorded at the famed Muscle Shoals Studio in Alabama, had a more soul and blues-oriented sound, El Camino often recalls the blitzkrieg-paced British-style rock of the 1960s and 70s, post-Beatles and pre-punk: artists like T-Rex, The Sweet, and Gary Glitter, along with the heavier swing of such bands as Led Zeppelin and Black Sabbath.
The references are there, but the sound is very much contemporary and utterly their own, equally informed by The Black Keys passion for hip hop and R&B and bolstered by the atmospheric production approach of Danger Mouse (a.k.a. Brian Burton), who was behind the boards for 2008 s Attack & Release and collaborated with them on the funky Tighten Up for Brothers. As Auerbach notes, "Brian understands all the different kinds of music we're into. He's got really great ideas about melody and song structure. For him it's all about the song." Also rejoining them is consistently innovative mixing engineer Tchad Blake, who Auerbach calls a genius with audio, a complete wizard.
El Camino arrives just in time to serve as the ideal holiday gift for The Black Keys rapidly growing fan base. It came together quickly in an unfettered burst of creativity by the hard-charging pair. They recorded these 11 tracks between tour dates for Brothers at Auerbach s new Easy Eye Studio in Nashville, where he and Carney have now relocated after years of working in their native Akron, Ohio. The duo plans to embark on a six week European Tour at the start of the New Year, with U.S. dates to follow shortly thereafter including several arenas.
In a time of global austerity, The Black Keys work simply and efficiently, with a minimum of tools and a wealth of ideas, to produce the richest, fattest, coolest music around. Upon the release of Brothers last year, Britain s Uncut magazine called them one of the best rock n roll bands on the planet, and El Camino, confirms that.

DUETS II is the follow-up to Tony Bennett's multi-platinum CD, DUETS, which was released in conjunction with Tony's 80th birthday in 2006. DUETS won three Grammy Awards and was the singer's best selling album to date.

Now the legendary performer celebrates a milestone 85th birthday with the release of DUETS II. The singer has completed recording with Lady Gaga and Aretha Franklin, adding to a celebrated list of artists previously announced including Amy Winehouse, Michael Buble, Norah Jones, John Mayer, Queen Latifah, Carrie Underwood and many others. Lady Gaga joined Tony for a rendition of the Richard Rodgers song, "The Lady Is A Tramp" and Bennett and Franklin collaborated on the Alan and Marilyn Bergman classic, "How Do You Keep The Music Playing."

Phil Ramone produced the original DUETS as well as DUETS II.

Live At The Royal Albert Hall was recorded on September 22 at the height of what has been an amazing year for Adele. Available on DVD and Blu-ray, "Live At The Royal Albert Hall" features the full 90 minute concert performance, plus special behind the scenes footage shot throughout the day leading up to the concert.
The package also includes an exclusive live CD of the entire show. This is the first time all of Adele's hits and best loved songs will be on one CD plus her stunning covers of Bonnie Raitt's "If I Can't Make You Love Me" and The Steeldrivers "If It Hadn't Been For Love"
This version contains mature language.

Track Listing:
1.Hometown Glory
2.I ll Be Waiting
3.Don t You Remember
4.Turning Tables
5.Set Fire To The Rain
6.If It Hadn t Been For Love
7.My Same
8.Take It All
9.Rumour Has It
10.Right As Rain
11.One & Only
12.Lovesong
13.Chasing Pavements
14.I Can t Make You Love Me
15.Make You Feel My Love
16.Someone Like You
17.Rolling In The Deep

2011 posthumous release, a collection of previously unreleased tracks, alternate versions of existing classics, as well as a couple of brand new Amy compositions. Following her tragic passing, some of the producers and musicians who worked closely with Amy Winehouse, among them Mark Ronson and Salaam Remi, spent time listening over the many recordings that Amy had made, before, during, and after the release of Frank and Back To Black. It was said by all who worked with Amy that she never sang or played a song the same way twice. It quickly became apparent to Salaam and Mark that they had a collection of songs that deserved to be heard, a collection of songs that were a fitting treatment to Amy the artist and, as importantly, Amy the friend.

Coldplay's fifth studio album, Mylo Xyloto (pronounced my-lo zy-letoe), will be released in the U.S. on October 24th by Capitol Records. Produced by Markus Dravs, Daniel Green and Rik Simpson, with enoxification and additional composition by Brian Eno, Mylo Xyloto follows 2008's Viva La Vida, which charted at No. 1 in 36 countries, including the United States and the United Kingdom.

Reigning CMA and ACM Vocal Group of the Year Lady Antebellum will release their third Capitol Nashville studio album Own The Night. The album's lead single "Just A Kiss" has quickly become the fastest-rising single of the trio's career, climbing into the Top 10 on Billboard's Country Singles chart in just six weeks.

"We took more time to write and record this record than we've ever done before," says Charles Kelley. "I remember looking at Hillary and Dave at the GRAMMYs this year, on the wildest night of our lives, and saying `this is amazing...we'll never get to experience a moment like this again, but now we have to go home and get to work.'"

"One of our favorite songs on the new record is called `We Owned The Night,' which is about a special once-in-a-lifetime moment, and we thought that naming the album around that same sentiment was really appropriate," says Hillary Scott.

Own The Night follows the band's GRAMMY winning sophomore album Need You Now. Since its release in January 2010, the album has sold over five million copies across the globe, spawned three multi-week #1 hits, taken home five GRAMMY Awards and scored over a dozen other award show trophies. With the success of "Just A Kiss" already producing massive momentum for Lady Antebellum's highly anticipated release, the trio is sure to own the night.